This may be a sonic trend that emerged to strive against other loud elements of a trailer mix, but to my opinion, distorting everything leaves most sounds weaker and less assertive than before. ![]() ![]() This being told, for me it was really refreshing to listen to Cinematic Trailers 2’s big and badass – yet clean – sounds.Ĭinematic Trailers 2 comes with a good blend of both organic and synthetic sounding FX. This is particularly apparent when having a look (or listen rather) at the Hits section. You’ll find a good amount of impact sounds that are composed of organic sound sources like drums, explosions and various metals. In the SciFi Hits category as well as in the Drops, you’ll find sounds mostly deriving from synthesizers, although more than a few have some organic sounds mixed in. Being presented with both organic and synthetic sounds opens up the usage of this library to a broad range of cinematic styles and applications.Īlthough the SFX library contains quite a number of sounds to choose from, it feels like no file was included without a purpose. Most sounds feel very flexible, yet unique enough to strike attention. In contrast to my initial impression when I first opened the sounds folder, there is really more than enough to choose from – especially if you keep in mind that each sound brings a fair bit of alternative versions along.Įach category provides a healthy balance of bread-and-butter sounds and more elaborate FX. If you already own another BOOM Library product, you’ll know that the brand is noted for meticulously tagging and labeling their sounds with valuable metadata. Not only does Cinematic Trailers 2 come with a thorough metadata sheet with detailed descriptions for every file, also the files themselves contain extensive information about their category, sonic color, intensity and more. If you’re used to working with audio search engines like Soundminer or AudioFinder, BOOM Library’s tagging effort allows you to search for particular sounds using keywords (e.g.
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